The aria “Una voce poco fa” is a celebrated piece from Gioachino Rossini’s opera The Barber of Seville. Directly translated, the phrase means “A little voice, not long ago.” This describes Rosina’s initial coy depiction of herself as sweet and docile, a facade that quickly dissolves to reveal her true cunning and determination. The aria provides crucial insight into the character’s complex personality, setting the stage for her actions throughout the opera. For example, consider the impact of rendering ‘poco fa’ with varying degrees of temporal sensitivity: a literal ‘a little while ago’ versus a more nuanced ‘just recently’.
Accurate rendering of this phrase, along with the broader aria, is vital for understanding the character of Rosina and the nuances of Rossini’s comedic masterpiece. Historically, interpretations of this aria have shifted, affecting how Rosina is perceived. While translations aim to convey the literal meaning, they must also capture the intent and spirit of the original Italian. The ability to convey Rosina’s transformation from seeming innocence to calculated manipulation is essential for effective performance and appreciation of the work.
